a photo of a metallic green jewel wasp on a strayberry flower with a greenish background.

Nineteenth Annual Photo Contest
The 19th Annual Photo Contest to select images for the 2023 cover of the Bulletin of the
Entomological Society of Canada is now underway. The cover images are intended to represent
the breadth of entomology covered by the Society’s publications. Insects and non-insect
arthropods in forestry, urban settings or agriculture; landscapes, field, laboratory or close-ups; or
activities associated with physiology, behaviour, taxonomy or IPM are all desirable. A couple of
‘Featured Insects’ are also needed. If selected, your photo will grace the cover of the Bulletin for
the entire year. In addition, winning photos and a selection of all submitted photos will be shown
on the ESC website, and used in Society-related social media posts.

Contest rules:
Photos of insects and other arthropods in all stages, activities, and habitats are accepted. To
represent the scope of entomological research, we also encourage photos of field plots, laboratory
experiments, insect impacts, research activities, sampling equipment, etc. Photos should, however,
have a clear entomological focus.
Digital images must be submitted in unbordered, high-quality JPG format, with the long side
(width or height) a minimum of 1500 pixels.
Entrants may submit up to five photographs. A caption must be provided with each photo
submitted; photos without captions will not be accepted. Captions should include the locality,
description of activity, if the main subject is other than an insect (if appropriate), and any
interesting or relevant information. Captions should be a maximum of 40 words.
The entrant must be a member in good standing of the Entomological Society of Canada. Photos
must be taken by the entrant, and the entrant must own the copyright.
The copyright of the photo remains with the entrant, but royalty-free use must be granted to the
ESC for inclusion on the cover of one volume (4 issues) of the Bulletin, and on the ESC website,
and in various social media posts by the ESC (credited to the photographer, of course).
Rather than a judging committee, this year, the photo contest organizer will open voting on this
website. Photographers of the top three photos chosen will be awarded the following prizes:
1st: $200 gift certificate for Henry’s Camera. 2nd: $100 gift card for Henry’s Camera. 3rd: $50
gift card for Henry’s Camera.
Submission deadline is 15 September 2023.
Submit photos at this URL: pollunit.com/polls/escsecphoto23

A stack of conopid flies, three males standing on a female!
A stack of conopid flies, three males standing on a female!

Female Physocephala tibialis with three males trying to claim her. Brampton Ontario

The first place winner of the 2022 ESC Photo Contest is Bob Noble, who captured this amazing image of a mating pileup of conopid flies. Let’s find out some more about this cool shot!

 

How did this image come about?

I was taking pictures of bees and butterflies in a part of Heart Lake Conservation Area that has a lot of wildflower plantings. I was in an area with goldenrod when I spotted a clump of something that included two Physocephala tibialis  (a male and a female) and a Japanese Beetle. The flies seemed to move on from the beetle and they were joined by another male bringing the total to 3 flies. About 5 minutes later a third male joined in and then there was a lot of jockeying around for position. During this time I had to use one hand to hold the plant stem in the position I wanted and was shooting with the other. After about 90 pictures and 10 minutes the flies finally managed to get their formation lined up perfectly and I got the picture.

What do you like best about this image?

That all of the flies are in focus with a background that wasn’t too busy.

What is one piece of advice you would give to newcomers to insect photography?

 
Always keep practicing and learning so that you get more understanding of both your equipment and your subjects.
A small greenish weevil with a long snout boring into a fig
The second place winner of the 2022 photo contest was Supratim Laha, a PhD student studying pollinators at the University of Calcutta. We asked about the story behind this amazing picture…
How did this image come about?
The story behind this image is another interesting part apart from the ecological fact. There is a large banyan tree (Ficus benghalensis) on our university campus. One day I was just crossing the tree and suddenly a tiny insect fell on my shirt from the tree. I picked it up and noticed that it was a damn tiny weevil with a ridiculously long snout! I was astonished and started observing the tree closely. After a while, I found a lot of them walking on the tree; however, they were a bit sensitive and used to fly away if disturbed. So, I planned to photograph them the next day. I went to the campus early in the morning. With a lot of patience and slow movements, I searched for a few minutes and found a few individuals drilling through the immature fig fruits. I had my camera with an external flash and a homemade diffuser attached. When I looked at them through the viewfinder, it was an amazing sight! It was spinning its head sideways while drilling. I took a few shots and checked that out on the camera LCD screen, and it was done! The snout was so long that it had to lift its body first by stretching the legs and then it could properly place the tip of the snout on the ostiole. Altogether, it was a bizarre thing to me, I must say! Later on, I observed that they laid eggs inside the fig right after the drilling was done.

What do you like best about this image?
The best part I feel in this image is that we may think of a fig as insignificant or just a regular fruit, but for this tiny cute weevil this fig serves as a whole world wherein their babies will grow and come out successfully one day. The fig trees are often called the queen of the trees. It supports a great diversity of life alone! Conservation of fig trees should be one of the important criteria in land-use management plans. 

What is one piece of advice you would give to newcomers to insect photography?

From my little experience, I would suggest newcomers to wait and observe patiently during insect photography, so that they could predict the next move that the insects would make.

A brown mantidfly, perched on a Purple Prairie Clover. The insect resembles a reddish Polistes wasp, and has striking green eyes. The flower is brilliant pink, with ellow pollen on the stamens, and there are more out of focus in the background.

A brown mantidfly, perched on a Purple Prairie Clover. The insect resembles a reddish Polistes wasp crossed with a mantid, and has striking green eyes. The flower is brilliant pink, with yellow pollen on the stamens, and there are more out of focus in the background.

In this first of a series of three posts, we will find out what went into making a winning photo in the 2022 ESC photo contest. The first shot we will consider is the third place winner, Thilina Hettiarachchi with this stunning shot of a brown mantidfly Climaciella brunnea (Neuroptera: Mantispidae). Thilina is an MSc student at the University of Manitoba studying taxonomy of Lasioglossum bees. .

I asked all the winners about their images:

 

How did this image come about?

 

I am originally from Sri Lanka and currently in an MSc in Entomology program at the University of Manitoba. Macrophotography is just one of my many hobbies, and it allows me to explore the beauty of insects and communicate that to others. I have a long-term goal of publishing a photobook of the insects of Manitoba. This past summer was an exciting one for me, as it was my first in Canada. While working on my research project, I had the opportunity to assist with pollinator surveys in the Manitoba Wildlife Management areas. This allowed me to explore new, exciting areas of Manitoba, and that is how I encountered this beautiful Brown Mantidfly.

 

What do you like best about this image?

 

Among the images I captured this summer, this is my favourite shot. This was my first encounter with this species and only my second encounter with the ever-charismatic Mantidfies. Beyond that, I love the colors, especially the background of Purple Prairie Clover (Dalea purpurea). These mantidflies are also not commonly recorded in Manitoba.

 

What is one piece of advice you would give to newcomers to insect photography?

 

If you are a newcomer, I would encourage you to practice as much as possible. Your patience is the most important skill you should develop to begin with this insect photography. Moreover, make sure to always get to know your photo subject. Since they are tiny, living creatures, it is very important to know their habits and behaviours. If you have at least a rough idea, then you know where you can find them and how best to handle them. I would also highly recommend considering using a flasher and a good diffuser to enhance the subject’s natural beauty. Shooting with soft and diffused light will take your photos quality to a whole new level.

Due to a shortage of entrants to date, we are extending the submission deadline for the ESC/SEC photo contest to October 15! So submit today, the thing to remember is THIS YEAR THERE ARE PRIZES!!!

Rules and instructions below!

Eighteenth Annual Photo Contest

The 18th Annual Photo Contest to select images for the 2023 cover of the Bulletin of the Entomological Society of Canada is now underway. Things are changing a bit, as you will see below, but the cool thing is there will be prizes this year! The cover images are intended to represent the breadth of entomology covered by the Society’s publications. Insects and non-insect arthropods in forestry, urban settings or agriculture; landscapes, field, laboratory or close-ups; or activities associated with physiology, behaviour, taxonomy or IPM are all desirable. A couple of ‘Featured Insects’ are also needed. If selected, your photo will grace the cover of the Bulletin for the entire year. In addition, winning photos and a selection of all submitted photos will be shown on the ESC website, and used in Society-related social media posts.

Contest rules: Photos of insects and other arthropods in all stages, activities, and habitats are accepted. To represent the scope of entomological research, we also encourage photos of field plots, laboratory experiments, insect impacts, research activities, sampling equipment, etc. Photos should, however, have a clear entomological focus. Digital images must be submitted in unbordered, high-quality JPG format, with the long side (width or height) a minimum of 1500 pixels. Entrants may submit up to five photographs. A caption must be provided with each photo submitted; photos without captions will not be accepted. Captions should include the locality, subject identification as closely as is known, description of activity if the main subject is other than an insect (if appropriate), and any interesting or relevant information. Captions should be a maximum of 40 words. The entrant must be a member in good standing of the Entomological Society of Canada. Photos must be taken by the entrant, and the entrant must own the copyright. The copyright of the photo remains with the entrant, but royalty-free use must be granted to the ESC for inclusion on the cover of one volume (4 issues) of the Bulletin, and on the ESC website, and in various social media posts by the ESC (credited to the photographer, of course). Rather than a judging committee, this year the photo contest organizer will arrange for a popular choice judging website, where ESC members can vote on their favourites. Photographers of the top three photos chosen will be awarded the following prizes: 1st: $200 gift certificate for Henry’s Camera. 2nd: $100 gift card for Henry’s Camera. 3rd: $50 gift card for Henry’s Camera. Submission deadline is 15 September 2022. Entries should be submitted as an attachment to an email message; the subject line should start with “ESC Photo Contest Submission”. Send the email message to: photocontest@esc-sec.ca.

Dix-huitième concours annuel de photographies

Le 18e concours annuel de photographie visant à sélectionner des images pour la couverture du Bulletin de la Société d’entomologie du Canada pour 2023 est en cours. Les choses changent un peu, comme vous le verrez ci-dessous, mais ce qui est cool, c’est qu’il y aura des prix cette année! Les images de la couverture sont destinées à représenter l’étendue de l’entomologie couverte par les publications de la Société. Les images d’insectes et d’autres arthropodes en foresterie, en milieu urbain ou en agriculture; les paysages, le terrain, le laboratoire ou les gros plans; ou les activités associées à la physiologie, au comportement, à la taxonomie ou à la lutte intégrée sont toutes souhaitables. Nous avons également besoin de quelques « Insectes vedettes ». Si elle est sélectionnée, votre photographie fera la couverture du Bulletin pendant toute l’année. En outre, les photos gagnantes et une sélection de toutes les photos soumises seront présentées sur le site web de la SEC et utilisées dans les médias sociaux liés à la Société. Règlements du concours Les photographies d’insectes et autres arthropodes à tous les stades, dans toutes les activités et les habitats sont acceptées. Afin de représenter l’étendue de la recherche entomologique, nous encourageons également les photographies de parcelles de terrain, d’expériences de laboratoire, d’impacts d’insectes, d’activités de recherche, de matériel d’échantillonnage, etc. Les photographies doivent toutefois être clairement axées sur l’entomologie. Les images numériques doivent être soumises dans un format JPG de haute qualité, sans bordure, avec le grand côté (largeur ou hauteur) d’un minimum de 1500 pixels. Les participants peuvent soumettre jusqu’à cinq photos. Chaque photographie doit être accompagnée d’une légende. Les photographies sans légende ne seront pas acceptées. Les légendes doivent inclure la localité, l’identification du sujet dans la mesure où elle est connue, la description de l’activité si le sujet principal n’est pas un insecte, et toute information intéressante ou pertinente. Les légendes doivent comporter un maximum de 40 mots. Le participant doit être un membre en règle de la Société d’entomologie du Canada. Les photos doivent être prises par le participant et le participant doit en détenir les droits d’auteur. Le droit d’auteur de la photographie reste la propriété du participant, mais une utilisation libre de droits doit être accordée à la SEC pour être incluse sur la couverture d’un volume (4 numéros) du Bulletin, sur le site web de la SEC et dans divers médias sociaux de la SEC (avec mention du nom du ou de la photographe, bien sûr). Plutôt qu’un comité de jugement, l’organisation du concours de photographie prévoit cette année un site web de jugement par choix populaire, où les membres de la SEC pourront voter pour leurs favoris. Les photographes des trois meilleures photos choisies se verront attribuer les prix suivants : 1er prix – 200$ en carte-cadeau chez Henry’s Camera; 2e prix – 100$ en carte cadeau chez Henry’s Camera; 3e prix – 50$ en carte-cadeau de 50$ chez Henry’s Camera. La date limite de soumission est le 15 septembre 2022. Les soumissions doivent être envoyées en pièce jointe d’un courriel dont l’objet doit commencer par « Concours de photographie de la SEC ». Envoyez le courriel à : photocontest@esc-sec.ca.

Outsiders and Others is seeking visual artists from Canada and the United States who’s artwork is focused on wood boring insects, wood, and/or the relationship between wood boring insects and wood.

This exhibition being presented simultaneously with the Joint American and Canadian Entomological Society Meeting in Vancouver on November 13-16, 2022.

How to apply by email:

  1. Send up to 4 images of artwork to be considered for Images must be jpegs.
  2. Include a list that describes the images you are sending with the title, medium, and size of each
  3. Write a statement about yourself that includes your education, exhibition history, and why you were interested in applying to participate in this

E mail all your information to: outsidersandothers@gmail.com and put “Boring Art” in the subject line. Artists will be notified by email about the selection process results by October 7.

Other information:

  • Applications due Sept 30th
  • Exhibition dates are November 2-27, 2022
  • Self-taught artists will be given priority consideration for the exhibition as that is the focus of our organization.
  • The gallery retains a 25% commission on the sale of all
  • Artists are responsible for the cost of shipping the artwork to and from the gallery for the

Outsiders and Others is a non-profit arts Society with a focus on bringing non-traditional artists to the forefront. This includes outsider, folk, self-taught, visionary, intuitive, and artists with disabilities.

Our gallery is at 716 East Hastings Street in Vancouver and is open to the public Wed – Sat 11-4 and by appointment. We also have a window only gallery at #100-938 Howe Street.

Any questions? Feel free to contact Director / Curator Yuri Arajs at outsidersandothers@gmail.com or visit us online at www.outsidersandothers.com

 

On June 8th, we invite you to celebrate National Insect Appreciation Day (NAIAD) with thousands of insect enthusiasts, amateurs, and professionals all across Canada. We invite you to participate in the “insect picture challenge” on social media. This year, we invite professional entomologists to ‘lift a finger for insects’ by sharing their love of insects and arthropods with the public on social media by taking a picture or video of their species of study in their hand or on their finger. Share your love for insects!

In order to participate in the challenge, a person will have to post a least one picture of an insect during the National Insect Appreciation Day on June 8th. When posting the photo, the participant should include associated hashtags and nominate five friends by inviting them to also post an insect picture.

Hashtags: #InsectPictureChallenge #NationalinsectDay

How a hashtag works: A hashtag makes it possible for other users to easily find messages and post with a specific theme or content. Simply use the hashtag on social media (Facebook, Instagram or Twitter) and make sure that your photograph is public.

For more information, and to download resource material, go to: https://esc-sec.ca/entomology-resources/naiad-national-insect-appreciation-day/

 Sponsored by the Entomological Society of Canada (https://esc-sec.ca/)

Extrait de « Dévorés », un roman de science-fiction entomologique post-apocalyptique qui paraîtra aux Éditions L’Interligne (Ottawa) le 7 février 2018. « Dévorés » est le premier roman de Charles-Étienne Ferland, candidat à la maîtrise en entomologie à l’Université de Guelph et cofondateur d’une jeune entreprise qui conçoit des applications mobiles utilisant les technologies d’apprentissage automatique pour identifier les insectes.

Dans les dix jours qui suivirent le début de l’invasion, les insectes privèrent l’Homme de tout moyen de subsistance. Ils paralysèrent le secteur agroalimentaire, sans toucher aux herbes ou aux arbres incomestibles.

Les projets de culture en serre hermétique, et ceux dans les grottes souterraines, furent autant d’échecs. Inexplicablement, l’insecte parvenait à s’infiltrer et à saccager les jeunes pousses. Les tentatives de transmettre un virus aux voraces ravageurs des cultures ou de les empoisonner au moyen de cristaux parasporaux de bacilles furent vaines. L’utilisation de cultivars transgéniques fit chou blanc. L’insecte n’était pas appâté par les attractifs alimentaires synthétiques, ni par des phéromones artificielles développées en vitesse. Il n’existait aucun ennemi naturel apparent.

Dehors, des avions survolaient les champs, pulvérisant à profusion de l’insecticide sur les guêpes insatiables poursuivant leur carnage. Malgré la menace, plusieurs groupes environnementaux manifestaient dans les rues. Ils étaient furieux d’assister, impuissants, à la destruction des écosystèmes, cinquante ans après la publication de Printemps silencieux écrit par la biologiste Rachel Carson. Dans les régions nordiques, on construisait des serres isolées. On aménageait des semi-remorques hydroponiques chauffées et éclairées. Malgré les protocoles de quarantaine, les guêpes y apparaissaient dès que les conditions devenaient adéquates pour cultiver. Leur propagation défiait toute logique.

Après la disparition de presque toute la nourriture, la plupart des populations animales d’élevage se mirent à décliner à l’instar de l’humanité. Nombreuses furent les familles qui partirent vers les côtes ou vers les régions riveraines. Les populations de poissons diminuaient au rythme extra-industriel de la surpêche. D’autres gens prirent la route du Nord ou des déserts. Plusieurs personnes et animaux moururent de faim.

Au cours d’une décade, des émeutes éclatèrent lorsque les supermarchés épuisèrent leurs stocks. Les hécatombes se multiplièrent. Le nombre de croisades égoïstes au nom de la faim grimpa en flèche. La situation donnait lieu à des luttes brutales et sanguinaires entre insurgés et forces armées. Tout cela pour les dernières conserves qui hantaient les étalages des magasins à grande surface.

Alors que la faim et la chaleur de l’été devenaient chaque jour un peu plus insupportables, que la Terre semblait tout indiquée pour devenir un désert stérile, la mutation se produisit. Une étrange cascade de transformations génétiques reprogrammant l’insecte. La guêpe adopta une nouvelle proie. Un seul et unique animal : l’Homo sapiens. Le jour de la mutation, la ville devint méconnaissable. De violentes secousses sismiques mirent à terre la moitié des bâtiments, des pylônes de lignes à haute tension et des arbres. Ce même jour, les guêpes femelles émergèrent du sous-sol. On aurait dit une version de l’insecte mâle aux dimensions décuplées. Des monstres capables de découper un homme en pièces. Tous ceux qui étaient à l’extérieur, en voiture, ou même un peu trop près d’une fenêtre au moment de l’émergence des femelles, furent condamnés. Ils se firent happer par les essaims si denses qu’on aurait dit qu’il s’agissait d’un seul et unique organisme, quelque Léviathan issu des Enfers. Les militaires déployés sur le terrain pour assurer un semblant d’ordre ouvrirent le feu. Les cibles étaient trop rapides, trop nombreuses. Les survivants se barricadèrent chez eux. D’autres se regroupèrent dans les souterrains du métro, un des rares endroits où les insectes anthropophages ne s’aventuraient pas depuis la mutation. Dès lors, l’être humain fut restreint à un mode de vie nocturne. Car dès que le soleil se levait, des nuées de guêpes affamées s’accaparaient les villes fantômes. Le jour leur appartenait. Et celui qui s’aventurait à l’extérieur lorsqu’il faisait clair était voué à un destin funeste, poignardé de dards comme César de dagues sur le Champ de Mars.

Peu à peu, les autorités se montrèrent plus discrètes jusqu’à ce que l’électricité, les médias, les services, les communications et l’économie devinrent des reliques d’avant la crise. Des vagues de maladies surgirent, exacerbées par les misérables conditions sanitaires quasi médiévales. Entre autres, la dysenterie et le choléra atteignirent bon nombre de survivants. Les fièvres et les infections affligèrent les enfants comme les adultes. Au début, on inhuma les défunts, puis on les brûla – ce qu’il restait d’eux après le festin des guêpes – par incinération massive durant la nuit. D’autres furent empilés dans des fosses communes jusqu’à ce qu’elles débordent et que les dépouilles gisent dans les rues. On ne se donna même plus la peine de s’approcher ensuite. On rompit le contrat social. Devant l’échec de la loi martiale, on renonça aux règles de société, désormais révolues, pour s’en remettre à une nouvelle loi : chacun pour soi. La loi de la jungle. Dans la ville, des bandes d’assassins, de pillards et de brigands se formèrent, prêtes à tout pour mettre la main sur des armes, de la nourriture, de l’essence ou des médicaments en terrorisant les camps de survivants. En voyant s’éroder les fondations de la civilisation, force était de constater qu’avec le ventre vide, l’homme retrouvait un instinct de survie des plus égoïstes.

Dans la métropole anarchique qui comptait désormais moins de dix mille âmes, Jack et Frank partageaient leur appartement avec Chad et Maddie. Il valait mieux se tenir à plusieurs. C’était plus sûr ainsi. Le groupuscule partageait un point commun. Aucun d’entre eux n’avait réussi à rejoindre les siens. La famille de Maddie demeurait en Europe. Les trajets transatlantiques, aériens comme maritimes – s’il y en avait encore –, étaient supposément réservés aux ambassadeurs, aux émissaires ou aux plus fortunés. Chad avait perdu ses proches dans les épidémies. Les centres de soins avaient été pris d’assaut et, sans antibiotiques, leurs chances de survie avaient chuté. La dernière fois que Jack avait eu des nouvelles de son père, de sa mère et de sa sœur, ils étaient en voilier sur les Grands Lacs. La famille avait mis le cap sur Main Duck Island, une petite île isolée et inhabitée baignant dans le lac Ontario, qui servait de colonie de pêche au début du 19e siècle. Des rumeurs circulaient à propos de havres épargnés par les insectes. « Pourvu que Main Duck n’ait pas été touchée. » Privé de moyen de communication, Jack n’en aurait le cœur net que s’il parvenait un jour à y poser le pied. Quant à Frank, même avant les évènements, il n’avait jamais été des plus volubiles au sujet de ses proches.

Au mois d’août, la civilisation d’avant l’infestation aurait aussi bien pu être un mythe, l’histoire d’un éden idyllique que l’on racontait aux enfants d’après les réminiscences des survivants. On entendait même parler d’une secte vénérant les guêpes. Des croyants extrémistes citaient les textes anciens, convaincus qu’il s’agissait d’une réédition augmentée de la huitième plaie d’Égypte. Un fléau divin prophétisé. L’apocalypse. La fin.

Le roman est disponible en librairie et sur amazon.
prayingmantis_main

PRAYING MANTIS Sterling silver, copper, 14K & 18K gold 18.5″l x 12″w x 9.5″h

 

We have featured the wonderful metalwork of Canadian artist Elizabeth Goluch before, in this awesome interview by Crystal Ernst. Now Ben Proudfoot of Breakwater Studios has produced this wonderful video featuring Elizabeth, her inspiration and work. If you are fascinated by insects aesthetically, or have a love for metalwork and sculpture, this is a great introduction to the artistic process!
[vimeo 125539638 w=560 h=315]

Lady Bug from Breakwater Studios Ltd. on Vimeo.

bumblebee_main

BUMBLEBEE Sterling silver, 14K & 18K gold 7″l x 7″w x 4″h

 

By Staffan Lindgren, University of Northern BC and 2nd Vice President of the ESC

————–

A few weeks ago my most recently graduated Master’s student took a few days off to attend the UNBC convocation ceremony. Knowing her former supervisor’s fondness of red wine (which several of my other graduate students have magically discovered as well – go figure!), and no doubt well mentored in the important aspects of oenology by her entomologist father, she kindly presented me with a bottle of Idaho wine aptly named “Entomology”. The vineyard in question has a series of ‘ology’ wines, and appropriately, the importance of entomology has been recognized in this one. This welcome gift, along with other wines I had purchased solely because they had an insect on the label, caused me to ponder the connection between insects and wine. It should be added that apart from a long-standing preference of certain varieties of red wine, label design and price are pretty much my only criteria for selection of wines to purchase, as my olfactory senses have long been impaired after years of sinus infections.

Insects have had enormous significance in viticulture. Interestingly, pollinators do not appear to play a significant role, as the wine grape, Vitis vinifera L. (Vitaceae) is primarily wind pollinated. The negative impact of one insect on viticulture, on the other hand, provides for a fascinating story of applied interdisciplinarity, long before that concept became a fad. In an entomological detective story, elements of international politics, bureaucratic intrigue, the struggle between Darwinian evolution and creationism, invasive insect ecology, plant resistance, systematics, are interwoven like a movie script leading to the establishment of the fledgling discipline of economic entomology, with several entomologists the heroes (prominent among them Charles V. Riley) saving the damsel in distress (French viticulture) (Sorensen et al. 2008). I speak of course of the impact of the grape phylloxera, Daktulosphaira vitifoliae (Fitch) (Hemiptera: Phylloxeridae), an introduced insect from North America, on the French wine industry. At one point this little insect threatened the very existence of the industry, which at the time supported a sizeable portion of the French economy (Smith 1992, Sorensen et al. 2008). A simple Google Scholar search reveals that phylloxera remains a significant issue and is subject to continuing research worldwide (Granett et al. 2001). Corrie et al. (2002) even noted that phylloxera “is a viticultural pest that in the past has devastated vineyards worldwide, yet little is known about this insect’s biology”.

Apart from the “Entomology” wine, which I haven’t tasted yet, I have four other wines, falling in two categories. Two are organic wines, and have butterflies on the label, while the other two labels are adorned by ants. The descriptions below are from other sources, as my inferior olfactory system cannot do wines justice. Suffice it to say I like them all.

Five wines with labels adorned with insects. In today’s wine market, it seems that eye-catching labels are important competition tools. I wonder if entomophobic customers buy any of these?

Five wines with labels adorned with insects. In today’s wine market, it seems that eye-catching labels are important competition tools. I wonder if entomophobic customers buy any of these?

Nuevo Mundo Reserva Cabernet-Malbec represents the type of wine I enjoy with a “big bouquet of dark cherries and blackberry with hints of sweet spice on the palate” (hint to future students!).  The labels of all their wines have butterflies, no doubt signifying that it is an organic product and certified 100% carbon neutral. This wine is produced in the Maipo Valley, Chile, aged in French oak for a year, and sold for slightly under $16 in BC Liquor stores.

Domino de Punctum Lobetia is an organic Tempranillo wine produced by the Punctum Estate in La Mancha, Spain. It is described as having a “cherry colour with a violet shade indicating its youth. On the nose you’ll find fresh cherries and other red berries, with similar notes on the palate that shows moderate tannins”, and for $12.99 this is a very price-worthy wine.

Fabulous Ant is a Pinot Noir from Tolna, Hungary, which at $12.99 is a great buy. I have not been a fan of Pinot Noir, but I quite enjoy this wine described as having “cherry, strawberry and clove aromas on the nose and a silky, medium-bodied palate”. The label features an ant carrying a cherry, rather than a grape, perhaps indicating the predominance of cherry. This is a wine that I would not have picked as Hungary doesn’t strike me as a primary wine producing country, at least not of the types of wine I enjoy. However, this wine was awarded a Gold Medal at the Berlin Wine Show 2013, reflecting the emergence of yet another interesting wine producing region worth paying attention to.

Formiga de Vellut is a Carignan-Grenache-Syrah blend from the Priorat region in Spain, and is the most expensive of the wines I have chosen. At under $30 it is still worthy of a try by any entomologically inclined wine aficionado, however. I rarely spend that much on wine, but with ants on the label, how can I resist? It is described by Anthony Gismondi (http://www.gismondionwine.com/), who gave it a rating of 91 points, as a “spicy, floral, curry, black peppery, liquorice scented red.” He goes on to write: “Love the dry, supple palate and its smoky, peppery, black cherry jam and meaty, licorice and cedar flavours.” I agree with Mr. Gismondi (at least with respect to what I am able to perceive)!

Finally, the interesting Idaho wine Entomology. Produced by the Cold Springs Winery located halfway between Boise and Twin Falls, Idaho, this is a Cabernet-Syrah blend which according to the vineyards own website is a medium bodied wine with red fruits and dried figs on the nose and blueberry on the palate. The label depicts a Polyphemus moth, which is described as a “pollinator moth”, so the entomology part may be a bit off target, but hey, if the wine is good we can live with some slight miscues.

There are obviously many other wines with an insect connection that I have not seen. I am hoping for suggestions in response to this blog post! Actual samples are welcome as well….

References cited

Corrie, A.M., R.H. Crozier, R. Van Heeswijck, and A.A. Hoffmann. 2002. Clonal reproduction and population genetic structure of grape phylloxera, Daktulosphaira vitifoliae, in Australia. Heredity 88: 203–211.

Granett, J., M.A. Walker, L. Kocsis, and A.D. Omer. 2001. Biology and management of grape Phylloxera. Annual Review of Entomology 46: 387-412.

Smith, E.H. 1992. The grape phylloxera. A celebration of its own. American Entomologist 38(4): 212-221.

Sorensen, W.C., E.H. Smith, J. Smith, and Y. Carton. 2008. Charles V. Riley, France and Phylloxera. American Entomologist 54(3): 134-149.